Feature by Shawn Poole of Backstreets.com (February 11, 2020)

Shawn Poole‎ to The Wild & The Innocent with Jim Rotolo
February 11 at 1:29 AM

THE MAN’S JUST BOPPIN’ THE BLUES: Today is National Get Out Your Guitar Day here in the U.S. Not a bad day for such a celebration, especially since this day also marks the births of folk/blues guitarist-singer-songwriter-activist Josh White, Rock and Roll Hall of Famer Gene Vincent, and modern-day guitar-slinger Sheryl Crow.

It’s a perfect day, as well, to inform y’all about a unique guitar-slinging buddy of mine named Roger “Hurricane” Wilson, if you don’t happen to know about him already. Roger is a fellow longtime Springsteen fan who also is a musician himself, performing and teaching in the grand blues tradition. He spent his childhood years in New Jersey and much of his teenage years in Georgia, with summertime returns to the Garden State. The first time he saw Bruce Springsteen perform was in 1971, when Dr. Zoom and the Sonic Boom opened for The Allman Brothers at The Sunshine In. You can read Roger’s personal account of the experience and its lasting impact here:


That account is actually an earlier drafted version of what later became a chapter in his memoir HURRICANE, which can be purchased here:


Both Springsteen and the Allmans were major influences on Roger’s decision to pursue a musical career of his own, as well as on the kind of music he would play. For over four decades now, Roger Wilson has played and taught blues guitar. He’s shared stages with legends like B.B. King, Buddy Guy, Jorma Kaukonen and Charlie Musselwhite. The late, great Les Paul once said of Roger, “This guy plays some great blues.”

One of the coolest things about Roger is that he has found a way to record, perform and share with the world whatever music he chooses, whenever he wants to do it. He controls his own online-based record-label, Bluestorm Records, and issues his own home-recorded albums and singles at a steady, prolific clip. He’s not beholden to anyone else but himself in regards to what he wants to say or play and when he wants to do it. In a line of work that’s changed so much during his lifetime, he’s managed to remain a professional, working musician and a productive artist while maintaining a stable, happy home in Georgia with his family. It may not be international pop-superstar success, but it is success nevertheless for someone like Roger who loves, lives and breathes music every day.

Roger’s recent releases include the tribute album ROGER “HURRICANE” WILSON COVERS THE BOSS!


My hands-down favorite from this ten-track set is his version of “Gypsy Biker,” but it is on his latest full-length release, I DID WHAT I WANTED TO,


where I think Roger gets to display fully all of his skills as a guitarist, singer, and songwriter. He wrote ten of the twelve songs on this set, including the title track, which sums up his life and the outlook he continues to maintain, now that he’s well into his sixties. Lots of tasty, bluesy guitar work here, too, and a great cover of “Food, Phone, Gas & Lodging,” originally recorded by the undeservedly obscure 1970s Southern-rock band Eric Quincy Tate, another major influence on Roger’s own music. (“I knew them since I was 16. They played my senior-prom in ’72. There’s a whole chapter on them in my book,” he recently informed me.)

One of his latest digital singles, released just last month, is “OK Millennial,”


his crusty, cranky, and at least somewhat tongue-in-cheek response to the whole “OK Boomer” thing. To me, as a Gen-X’er caught in the middle of this particular divide, it feels a little too mean-spirited and reverse-ageist for my tastes, but to each… (and as I noted above, one of Roger’s most admirable qualities is his unabashed usage of the freedom to speak his mind.) On the other hand, I LOVE, LOVE, LOVE the other digital single he released in late January: a beautiful cover of Gordon Lightfoot’s classic “The Wreck Of The Edmund Fitzgerald,”


the moving true-story ballad that makes for perfect wintertime blues in Roger Wilson’s skilled guitar-wielding hands.

Since 2003, Roger also has been delivering his “Blues In The Schools” presentations in schools, colleges, libraries, community centers and music festivals across the country. He regularly reaches and engages many young minds with an entertaining history of the blues combined with his own musical performances. In 2015, Roger was inducted into the Oklahoma Blues Hall of Fame in recognition of his “Blues In The Schools” work in that state. His more recent encounters with Steve Van Zandt and the experience of attending several of the TeachRock.org workshops held on Little Steven’s tours with the Disciples of Soul have helped to revitalize and enhance Roger’s school presentations, as can be seen in the attached photos. You can read more about Roger’s “Blues In The Schools” program here:


To learn more about and keep up with Roger Wilson’s many ongoing projects, his live-performance schedule, his many other released recordings and/or how to get “Blues In The Schools” at your school or community center, visit HurricaneWilson.com. Oh, and one other thing I know for sure – whenever and wherever my pal Roger Wilson is, it’s ALWAYS National Get Out Your Guitar Day.

Previous Post


Next Post

CD Review by Vicente Zumel of La Hora del Blues in Barcelona, Spain